Thursday, April 26, 2012

American Art, Underrepresented in Textbooks

America has a rich artistic tradition that is underrepresented in ART HISTORY survey textbooks. Perhaps it is because the American WESTERN artistic tradition is a few hundred years old compared to millions of years in Europe.

Through the course of the AP Art History survey in high school we journey through time and across continents to learn about the artistic production of people that have come before us. Some art was created for functional means. Some art was created for purely aesthetic means. Some artworks serve both functions. Artistic production, as evidenced through the artifacts that remain of bygone eras, gives contemporary viewers a lens into the world at the time of its creation. Art reflects society. One learns HISTORY through looking at ART.

The APAH journey is transformational. I picked a series of images by American Artist Thomas Cole that represent the journey through the APAH survey course. Thomas Cole's The Voyage of Life Series (Childhood, Youth, Manhood, and Old Age - shown below) located at the National Gallery of Art in Washington, DC. show the transformation of a person through maturation. The lens in which one views the world is shown to change as one physically changes. The world, viewed as a landscape, transforms from ideal, through real, and back to ideal. As one commences a journey through APAH, one may view art as idea. The more one studies, the more one understands the creative process is a business and not always just a means to make something that looks "good". As one nears the end of the course, one realizes they have gained knowledge that will sustain them on a lifelong journey of art appreciation and respect for cultural differences.

For a review of American Art...visit the National Gallery of Art




in Washington, DC.

Tuesday, April 24, 2012

AP TEST REVIEW

We'll review before school Thursday and at lunch Thursday
This week: Focus on Essay Discussion/establishment of images we can memorize as potential "examples"

NEXT WEEK - CHANGE -
Before School Tuesday-Thursday-Friday
Lunch Wednesday, Thursday
Focus: OLD AP Test Questions

Before school Monday May 7th...Ask any last minute questions...review last minute topics.

Before School Time - start between 7 and 7:10 AM

Museum Catalog Due Dates

MC 28/29 ... a PORTION of it - essays - will be graded as a take home test
DUE WEDNESDAY 5-2-12

MC 33/34 Due Friday 5-4-12

BOTH attached on Chapter 28,29,33,34 page of class website

Sunday, April 22, 2012

American Female Artists

I stumbled upon an article in the New York Times that discussed female American Artists that are not included in the history books. These skilled females did not always get positive feedback from critics due to their gender. The women were successful artists who were able to support themselves, unfortunately for generations of viewers that came after them, their work is rarely included in book and retrospective exhibitions.


A few of the artists mentioned in the article include: Susie M. Barstow (left inage), Mildred Burrage (middle image), and Ida Pulis Lathrop (right image).



Read the article to discover a portion of American Art History that has been overlooked for generations!

Thursday, April 19, 2012

DROP IN AP TEST REVIEW

Week of April 23rd: Tuesday/Thursday Before school, Thursday at lunch

Come in with questions or ready to have a discussion

Week of April 30th: Tuesday/Thursday Before School, Thursday at lunch
Mock Test Sessions

Monday May7th, before school and at lunch...drop in and ask questions,

Saturday, April 14, 2012

Recognizing Rothko



Mark Rothko's (1903-1970) paintings have been labeled as Abstract Expressionist and as Color Field by different critics. Rothko, like many abstract painters of his era, rejected labels and sought to forge a path for himself. He emigrated from Russia to the USA due to the antisemetic nature of Europe during his childhood.

Rothko's early career was inspired by mythology. His late work is the style for which he is best known. His abstract works, fields of color which belnd together, allow the viewer to read into it what they may. Each view of the painting can evoke a different emotion as the viewer is a different person each time he or she views the painting.

To learn more about Mark Rothko, watch the YouTube Video Power of Art and visit smarthisory.com.

Monday, April 9, 2012

Celebrating Pablo Picasso




Picasso is an artist that cannot be overlooked when one studies the History of Art. His innovative techniques and fiery personality lead to constant evolution in his work. The more one understands Picasso the man, the more one understands Picasso the artist.

Visit Picasso's website for information about exhibitions of his works and a scholarly article about his works.

The Power of Art Picasso
gives a deeper understanding to the master.

One of his iconic works is Guernica, his 1937 reaction to the bombing of Spain. In recent years, this painting has been used to describe people's reaction to the 911 terror attacks in New York City.

Another iconic work was the 1907 painting, the FIRST CUBIST work, Les Demoiselles D'Avignon. This image shows the 3D representation of the female form on a flat surface. The use of AFRICAN masks shows the influence of "other" in the European consciousness at the time.

Picasso was a master. His works include line drawings, paintings, and sculpture. His "Blue Period" reflected his somber mood while his "Harlequin" period displayed his brightening mood by reflecting upon traveling performers that entertained the community. Read more about his changing styles at arthistoryguide.

Rococo Art in France remembers Bernini


Claude Michael aka Clodion's Nymph and Satyr (1775) is reminiscent of the undulating curves found in the open and active compositions of Bernini's sculptures.

Clodion's tabletop sculpture combines Bernini's dynamism with Rococo playfulness.

Watch The Power of Art Bernini on YouTube to review the life and works of Bernini.

Saturday, April 7, 2012

GREAT ARTICLE about Vermeer


The year long restoration of his 1663-1664 Woman in Blue Reading a Letter revealed clues to his style and techniques.

Restorers REMOVED the pearls that were added in the 1920s. They noticed portions of the painting that were painted over and found a copper-green undercoat that added to the intensity of the BLUE pigment used.

To read more follow the link to the artdaily site. If daily updates like this are of interest to you, sign up for daily updates!

Futurism


I was reading the April 2012 Smithsonian Magazine and noticed an article about FUTURIST art inspiring BMW designers. I was curious so I continued to read.

Futurism celebrated its 100th anniversary in 2009 with retrospectives through Europe. The ITALIAN artists and intellectuals believed EMBRACING INDUSTRIALISM was the key to keeping up in the new world. Futurists sought to demonstrate SPEED AND MOVEMENT into their art. They saw these concepts a result of the industrial age.

Why wouldn't Italians want to catch up with the Industrial Revolution in the rest of the world? Why wouldn't they want to push the envelope a bit? After all, Italians have been the leader in art many times throughout history.

The leader of the Futurist Movement was a poet Filippo Tommaso Marinetti. He published the FUTURIST MANIFESTO in 1909 and the visual artists followed his lead.

To read more about Futurism, follow the link to the Smarthistory site. Here you will see a time lapse video that shows how the artists studied motion in an effort to include that dimension in their artwork.

After one understands FUTURISM, it is CLEAR why a cutting edge car designer would look to this art movement for inspiration. The Futurist movement would give designers clues how to embrace the industrialization, the assembly line concept of construction, while adding aesthetic nuances to demonstrate how the car "cuts through" space. One designer quoted in the article said that he saw his designs as capturing the essence of "a fourth dimension, that of wind". Read more (and view more images) from the Smithsonian.

The image included here is the iconic FUTURIST sculpture by Umberto Boccioni, Unique Forms of Continuity in Space.

Monday, April 2, 2012

Last Assignments before the AP Exam

Since there is NO SCHOOL WED...some of your presentations will conclude after break. Remember 10 minutes is the target "talk" time.

Upcoming Assignments:
1. Artist/Architect Presentations ... PDF (titled presentations28toend) linked on Chapter 28,29,33,34 page of class website

2. Individual Chapter Assignments
:
Read Chapter 28
Complete WKBK chapter 30 (111-120) TUESDAY 4-17-12
Read Chapter 29
Complete WKBK chapter 31 DQ 2 page 132, DQ6 page 133, DQ 8 Page 133 due by midnight Saturday 4-23-12
Read Chapter 33
Complete WKBK Chapter 35 pages 158-172 due Friday 4-27-12
Read Chapter 34
Complete WKBK Chapter 36 DQ 1 page 192, DQ 8 page 192, and DQ 12 page 193 due by midnight 5-1-12



3. AP EXAM REVIEW
...Will start before school sessions Tuesday/Thursday (7 AM ish) starting week of April 23rd.